The quartet became Crowell's backing band, the Cherry Bombs.įrom there, Crowell mentioned a dizzying cross-genre set of names whose schedules regularly intersected with Gill's time in Los Angeles, including the Beach Boys' Carl Wilson, Roseanne Cash, the Eagles' Glenn Frey, Herbie Hancock, Dolly Parton, Linda Rondstadt, and J.D. In the late 1970s, Gill, his eventual record producers Tony Brown (present in his viewing box at Belmont University's new Fisher Center for the Performing Arts for CMT Giants), Emory Gordy Jr., and Crowell would often play at the legendary Sweetwater Cafe in Redondo Beach, California. However, via a red carpet conversation with iconic country rocker Rodney Crowell, a sense that Gill is a rare artist for whom stardom rang on multiple occasions − but that he answered its call when its volume was the loudest − also becomes apparent. They both know the most Grammy-awarded male country music artist as "Vinnie." From hopping into a session as a background guitarist or vocalist, producer or songwriter, or − as was the case with Keb Mo − driving an artist home on his tour bus and giving them door-to-door service, including helping with their luggage − his legendary humility is boundless. Los Angeles-to-Music City residents Sheryl Crow and Keb Mo were both in attendance. Notably, too, Gill is possibly the most neighborly musical superstar of all time. From years spent in Kentucky with Ricky Skaggs' Boone Creek Band, toying with the promise of '80s rock superstardom in Los Angeles (he almost became a member of Dire Straits), and eventually merging the two into neo-traditional-meets-pop-country excellence for the past three decades in Nashville, it's an incredible story. In a nearly five-decade long career, Gill's work has touched hearts and talents across the musical spectrum. The now 65-year-old Norman, Oklahoma, native's career is as much a study of who he has become as who he almost became.
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